15 Minute Journaling: Don’t let fear get you down

I need to do some writing, so what am I doing? I’m sitting here doing everything but that. I’ve painted my fingernails, I’ve gotten on Facebook – I’ve even read a few other blogs here on WordPress, including some of my own posts. Then why aren’t I writing? What am I afraid of? I thought I’ve gotten past all this.

Me, being silly!

Me, being silly!

I guess the fear was this: What’s the point of writing if its going to turn out terrible? Well, that’s not the point is it? The point is WRITING.

All things writing. Write, write, write, write, write!!  Gahhhh….Now why am I sitting here staring and fearing the blank page?

In all things in life you can’t let fear let you get behind, and that includes writing.

I’m even sitting here with my new headphones on (a nice birthday present from yesterday, woo hoo!) trying to drown out the world, and FOCUS.

Hmm…okay, let me visit my book shelf and see if I can scrounge up some writing prompts. That might help.

A few weeks ago at the Barnes and Noble, I found this book: A Writer’s Book of Days: A spirited Companion & Lively Muse for the Writing Life by Judy Reeves.

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It’s basically like a writing devotional. It offers you daily writer prompts, as well as lessons for each month on writing and how to improve the craft. I have a tendency to over think some of the writing prompts – actually now I’m starting to realize that I work best sometimes with a challenge. It’s okay to take the prompts where you need them to go.

It is fun sometimes to see how creative you can get. Instead of just one word or one sentence to get the creative juices flowing, lets try about five of them.

Here are the prompts for five days in June from June 6th – June 10th:

June 6:  While the world sleeps

June 7:  I have a confession to make

June 8: “There is a place somewhere called Paris”

June 9: Across the railroad tracks

June 10:  The place where wild pines grow

15 MINUTES ON THE CLOCK….GO!

There is a place somewhere called Paris,” she told me with a flick of her blond hair as she started reapplying her lipstick. She squinted at herself in the tiny blue compact mirror and then smacked her lips loudly. “They say that everyone walks around naked, I’d like to go there sometime.”

I eyed her smooth body, the tan legs and free arms, the way her hips curved over her jean shorts. “I bet you would.”

“Don’t be an ass,” she snorted as she put her make-up away. “It exists somewhere out west they say, across some railroad tracks at some nudist colony. You know, the place they say where the wild pines grow.”

I couldn’t imagine her anywhere surrounded by naked people, much less trees as a walk through the park seemed too much for her most of the times. She hated the squirrels that scurried down the trees, she hated the babies that cried on the playground, sometimes I think she even hated me.

I was her boyfriend, too. The one she was supposed to love – supposedly.

I have a confession to make,” I breathed into her ear as I wrapped my arms around her thin frame and crushed those curves against me. “You’re beautiful.” I kissed her neck. “You’re sexy.” My hands trailed down her hips. “You’re lovely.”

She laughed a cruel, sarcastic laugh, and pushed me away. “Please,” she said with her hand on my chest. “Don’t make a fool of yourself.”

“I didn’t want to be here anyway,” I muttered. She’d taken me for a drive, and then had parked on the side of the road across from the local park. I could see pine trees and several screaming kids running towards picnic tables as she’d put the car in park. The air tasted fresh on my tongue, was cool and fresh in my nose.

Then she’d uttered those dreaded words as she turned towards me. “We need to talk.”

We walked hand and hand for about two minutes and then she pulled away from me. I could see the coldness in her posture, the way her body seemed to be trying to avoid me. She adverted her eyes, pretended like she was crying. But I knew she wasn’t.

“You live in your own world,” she continued then. “Like, everyone else could die, and the world could continue sleeping and you would be the one outside of it, like in slow motion or something. Living your life oblivious to those around you.”

God, she was so stupid sometimes. “I have no idea what you are talking about.”

“Of course you don’t. The world doesn’t evolve around you Isiah Crane.”

“It doesn’t revolve around you either,” I said.

“This is exactly what I’m talking about!” she cried, as she turned back towards me. “That sarcasm! You’re so God-damned sure of yourself!”

I thought about that. I mean, why wouldn’t I be? I was smart, strong…and intelligent. I was pretty sure I was good looking. I shrugged. “Yeah, I got nothing.”

She started to cry then, loud, horrible tears. “I don’t understand why you’re so mean to me.” I didn’t really understand anything either. How she seemed to use everything but the truth to get what she wanted. She played games. She probably thought: maybe today, I’ll grab his balls and tug just a little bit more. I winced as I thought about it.

I didn’t want anyone tugging anywhere. “So this is it, huh?”

She brought her hands away from her face. Her mascara had left black tracks down her cheeks. “Aren’t you even just a little bit sad?”

I looked out at the fresh air surrounding us, the trees and green grass and water gurgling in a fountain nearby. Everything seemed brand new all of a sudden. I laughed once. “Should I be?”

 

 

 

 

 

Game of Thrones Season 4, episode 8 recap: The Viper Vs. The Mountain

Some drama happened at my apartment this week, so I was unable to post this till now. If you haven’t seen Game of Thrones season 4, episode 8, beware – spoilers ahead!

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Photo credit: HBO

Well, we’ve been waiting for it for 2 weeks now: Tyrion’s trial by combat! Was it as good as you expected? But first, a bit of an episode recap. Of course, they wait until the very end of the episode to show the trial, geeze.

In Meeren, Ser Jorah recieves a royal pardon from Robert Baratheon. Dany learns of his betrayal; he spied on her when she married Drogo and reported this news to Varys. He begs her forgiveness, but Dany is not in a forgiving mood. She banishes Ser Jorah from the city and says that if he isn’t gone by sun down, she will have his head.

Missandei notices that the commander of the unsullied, Grey Worm, has noticed her. Dany wonders if when Grey Worm was cut, if they took both “the pillar and the stones.” An awkward line I thought for the Khaleesi, but Missandei decides that she is not sorry of his interest, neither is Grey Worm.

In the Eyrie, Lord Baelish is questioned about Lysa’s death. He claims that she has committed suicide. Sansa is asked to testify against him, and finally dear Sansa has learned to play the game. She tells her tale, admitting that she is Sansa Stark and that Lord Baelish has only lied about her identity to keep her safe. She agrees that her aunt Lysa was always a “troubled woman” and that Lysa was extremely jealous of Sansa when she saw Lord Baelish kiss her cheek. JUST a kiss on the cheek, she claims. Distraught, she says that her aunt Lysa then committed suicide by throwing herself through the moon door.

The committee seems to believe her tale, and later Baelish asks her why she didn’t tell the whole truth – why take the chance on him? Sansa answers because she knows what he wants. (She seems to look at him knowingly when she says this.) Baelish says that she was a child when she first arrived at King’s Landing, but it is clear she is a child no longer. It begs the question, does Sansa want Baelish? Also, Baelish decides it is time for Robyn Arryn to leave the nest.

Meanwhile, Ramsay Snow uses Theon Greyjoy or “Reek” to take back parts of the North. He says that it is time for Reek to pretend to be Theon Greyjoy and help him. Greyjoy acts as Ramsay’s ambassador and manages to convince the people of Moat Caitlin to surrender and spare what lives they have. Greyjoy is questioned and called a woman and not a true Greyjoy which almost unravels him. However, the men decide to take the pardon, yet Ramsay slaughters them anyway. The scenes with Ramsay end with his father honoring him with the title of “Ramsay Bolton.” Yaay….NOT.

We then get an amusing scene between Arya and the Hound as they make their way towards the Eyrie. Arya thinks that she should be happier about Joffrey’s death, but she’s not. Maybe it was because she didn’t get to see him suffer or something. The Hound’s bite is hurting him and Arya says that he should have let her burn it. He also says that poisoning is a woman’s weapon. They arrive at the Eyrie only to find that Arya’s aunt Lysa is dead – to which Arya laughs and laughs at the news. It is kind of amusing and ironic for the Hound: every family member that he tries to ransom Arya to does have a strange habit of being dead beforehand.

Farther north, Gilly and her baby are still in the tavern where Sam left her. The town gets raided by the Wildings, but thanks to Ygritte, she manages to survive. Meanwhile at the wall, Jon and the others are wondering how 100 men are going to stand up against 100,000. And Sam is kicking himself for leaving Gilly in the town by herself, he should have known better.

Finally we get to the battle between the Viper and the Mountain, Gregor Clegane. There is a scene between Tyrion and Jaime before this where they talk about their slow cousin and how he used to smash beetles. Tyrion is tortured by the thought of it, the waste of all those beetles. He ask Jaime, “Why? Why did he think their cousin did that?” To which Jaime has no answer.

Prince Oberyn performs well in the battle, he dances quick around the Mountain, taunting him, wanting his opponent to admit to the death and rape of his sister and the death of her children. He manages to get a few hits on him, and stabs him in the chest with his spear, but he won’t let the Mountain die until he admits to the crimes that he’s committed against the Martel family. Did anyone else have a ‘hello my name is Inigo Montoya moment?’

As the prince dances around the dying Mountain taunting him, Clegane uses his last bit of strength and strangles Prince Oberyn in a most gruesome way, gouges out his eyes and literally crushes his head with his hands. And thus, Tyrion’s champion is the one that dies first, meaning that Tyrion gets to die as well. The episode ends with a look of shock from Tyrion, and Cersei’s satisfied smile.

Well, what did you think?

My thoughts:

  • Anything with Arya is always entertaining. I always want to see more scenes with her!
  • Dany’s treatment of Ser Jorah is understandable, but she might also be making a mistake. If she can’t trust him, this man who’s stuck by her side through thick and thin, who can she trust? Just makes me wonder what kind of road are we going to see Dany on in the next seasons or so. Is she going to be led astray? Was her treatment of Ser Jorah too harsh?
  • The scenes in the Eyrie are playing out how I kind of thought they would, however, I am interested to see what Sansa’s game is. Does she truly know what is going on?
  • And Tyrion can’t die! He’s one of my favorite characters! Is Jaime going to try and help him out? I hope so!
  • I wonder if we are finally going to get a reunion between Arya and her sister, Sansa? If so, how are the two going to react after seeing each other? The two were different before, but now look at them!

Only 2 more episodes left in the season! Thoughts below if you got them!

 

 

Character Files: “The Conductor”

I’d like to try something new to add on here – I call it “Character Files.” In my struggle to find some kind of story inspiration some time ago, I purchased a book called Writerific II: Creativity Training for writers by Eva Shaw, which offers encouragement, but most importantly, writing prompts for the creative writer.

One such prompt, has a page full of groups of words. Each group of three words is meant to inspire a story, by using each word in a story or situation that you may create. I decided to take it a step further, and as such created – Character Files.

spy8Each group of words inspired me to create a character, someone who may or may not have a story – a character that I could store away in a file with other characters I created, that I could return to and use that character for story inspiration if need be.

There are a lot of word groups in the writing prompt, and I’ve only created a few different characters already. But I was pleased with the different results. This particular example took me to a place and genre that I don’t normally write, but it allowed for some nice practice of sensory images. Here goes…

The words are:  pigeon   voltage   train

“The Conductor”

He is a nobody, tall and willowy with a pale face, and dark brown hair. His back is straight as he sits on the park bench in his navy blue conductor’s uniform, his long legs bunched up in front of him as he reads the newspaper.

            Looking at him, no one would know that he’s killed someone and framed somebody else for it, although, he twitches occasionally at every other sentence he reads. His brown eyes squint, his face bunches and then goes straight. Two-thousand volts of electricity frying their way through his veins. It could have been him. The memories eat at him, peck at his brain like a flock of crows.

            The sight of the butchered man he killed in the alley late that night. The rain pouring in his ears and over the curve of disgust on his lips. The bastard he caught sleeping with his wife…maybe he should have killed her too.

 

He smelled the rain that night, and he never smelled anything more visceral. Felt his thoughts mix with the sewage and the blood water that swirled around the man’s body, the man that he killed, a milkman, another nobody. What was so important about this stranger that made his wife take her pants off?

He thought, just once – it was a fleeting thought really – that maybe he should be down in the sludge and the darkness of the alley, too. Let the smell of something putrid, the river of feces, blood and rain water pour over him. Feel the fear of something cold and slimy creep its way across his bare skin. Let it feed off of him for a moment and taste the sponginess of his brain, the holes there, the parts that were missing that tasted brown, like something sweet and rotting. Let blood pour out of his nose and his eyeballs bounce down his face. Let him feel hell just once.

Instead, he swiped at the water on his chin, shook his head like a dog, shivered once, pulled his coat around his shoulders and walked home. The knife he used on the stranger who was defiling his wife, he hid in his cousin’s apartment, still wet, the blood dripping.

The next day, while drinking his morning coffee, he placed a call to his local police department to let them know that his cousin, an alcoholic and a man who occasionally liked to feel up little girls, was in town and that he came around the other day begging for money. His cousin had threatened him with a knife, which the conductor described to the police in great detail. A butcher’s knife, he said and then shuddered with a slight catch in his throat. There were groves and barbs on the blade, the kind that shreds through skin when you use it. Mostly likely cut a man in two. Or remove somebody’s head.

The next day he read the front headline of the newspaper while he sat on a park bench on his lunch break: Child Molester Arrested for Murder. He folded the newspaper carefully and tucked it under his arm. The sun felt warm and soft on his navy blue uniform and he looked down at his shiny, black shoes and smiled to himself. It was going to be an excellent day.

Godzilla 2014 Movie Review: The Hero of Mankind

A few weekends ago, I went and saw Godzilla in I-Max at the theater in Syracuse, NY and thought I’d give my thoughts on the remake. I almost forgot to post this, and am kicking myself for the mistake. Here’s some thoughts that I had. Spoilers ahead, people!

Image source: http://www.forbes.com

After disaster strikes at a nuclear power plant in Tokyo, Japan, fifteen years later, Joe Brody, (Bryan Cranston) is still trying to find out what happened to his wife. What he and his son, Ford Brody (Aaron Taylor-Johnson) learn is that the Japanese government, led by Dr. Ichiro Serizawa (Ken Watanabe) have pulled a massive cover up: a monster larva has burrowed deep in the ground over the remains of the nuclear power plant.

When the monster hatches, it attracts a mate, another monster bug, or Muto, that wreaks havoc over the Pacific and in Hawaii – Oh, and this Muto can fly. Meanwhile, the U.S. government, under Operation Monarch, have hidden the discovery of another monster: Godzilla.

Attracted by the calls of the other giant beasts, Godzilla begins hunting the Mutos, or as Dr. Ichiro Serizawa says, “to restore the balance.” But the U.S. Government believes that now isn’t the time for more “cover-ups” and instead plans to attract the Mutos and Godzilla with a large nuclear missile and then destroy them all in a massive explosion.

Naturally this doesn’t work, and the rest of the movie pits Lieutenant Ford Brody, who just happens to be a bomb specialist, against all odds as he tries to get back to his family and save the rest of the world against a bomb that could have the potential to destroy a good portion of the human race.

The compassion and the strength that is shown in Lieutenant Brody’s character and in the other soldiers that fight around him is comforting and inspiring. Where Lieutenant Ford Brody gets his strength or his drive, it is hard to fathom, but it was refreshing to see a character who goes above and beyond for the sake of others. He saves a young kid who isn’t even his own, and takes it upon himself to return the kid when he gets separated from his parents.

The Mutos mate and the female Muto gives birth to more larvae. At the risk of his own life, Brody destroys the larvae, knowing that there will be some kind of retaliation. When he and his fellow comrades are trying to get the armed missile away from the general public, Brody, who is the last survivor, just manages to drag himself onto a boat and sends himself away offshore. He knows it’s a one way stop, but he keeps going anyway. He’s doing it for the greater good.

But there is also more than one hero in this movie.

After Lieutenant Brody kills the larvae, there is a time shortly after where he is face-to-face with Godzilla. The monster has a chance to gobble him up, but instead Godzilla bows his head slightly and closes his eyes as if to say, ‘thank you,’ and then retreats back into the fog. This suggests that the Godzilla in this movie is intelligent, and aware of his surroundings, not just a monster intent on destroying his prey. It was a refreshing take on the character, and exciting even. The potential for such a character…it would be interesting to see many sequels with this Godzilla at the helm.

He destroys the Mutos and we get some epic fight scenes pitting monster against monster and earth-shattering roars and crumbling buildings. At one point, Godzilla has one of the Mutos in his clutches and pries open their mouth and with a roar, blasts his atomic fire down the throat of the monster and rips its head clear off. It was a moment where everyone in the theater cheered – something that doesn’t always happen very often when viewing a movie – that’s how much this movie picks you up and takes you for a ride.

You’ve got giant monsters destroying each other and most of the architecture around them, but you also have strong, compassionate soldiers, epic fight scenes, gigantic monsters, and a story-line that keeps moving, never lets you get bored from one scene to the next.

The movie is exciting, well written, and satisfying!

(Oh, and In I-max, the sounds cannot compare and if you have a chance to see the movie in I-Max…I say go for it! It was awesome!)

I tried to think of something that I didn’t like about the movie, and I really couldn’t – the only thing really, was that I wanted to see more of the movie, more monsters and more fight scenes. I really enjoyed that they gave this Godzilla more of a character, instead of just a mindless killing machine. I thought it gave more meaning to the movie.

Were you able to see Godzilla? What did you think? Thoughts below if you got them!

 

 

 

 

 

Game of Thrones Season 4, Episode 7 Recap: Who is the Mockingbird?

Spoilers ahead!

Photo credit: HBO.  Sansa appreciates the snow in the Eyrie.

Well, what can be said about last night’s episode? What can’t be said?? For an episode that was said to be a ‘filler’ episode by my boyfriend, an awful lot happened.

The episode starts out with Jaime berating Tyrion about turning down the deal with Tywin to take the black. Jaime claims that he has “thrown his life away.” They exchange words about their father, how he wants to see Tyrion dead and Jaime back at his rightful place at Casterly Rock, yada yada…the thought is that Bronn will fight for him.

Bronn is sent for, and comes to explain to Tyrion that he has a chance to marry, and he has gold, (as arranged by Cersei.) He says that he is Tyrion’s friend, but likes his life more. The conversation ends, and they shake hands and the meeting ends on a good note…I think.

Later on in the episode, Prince Oberyn comes to visit Tyrion in his cell. It’s odd…a place so dirty and (presumably) smelly, yet Prince Oberyn seems right at home. He seems the type that can slip into any place and look like he belongs. The man is that comfortable in his own skin. It is refreshing for us, but must be terrifying for the rest of the characters on Game of Thrones, because who’s to know what the man will do next?

Like, decide to be Tyrion’s champion? Prince Oberyn is there at King’s Landing to get revenge, and he wants revenge against Gregor Clegane, or ‘The Mountain,” for raping and killing his sister. Gregor Clegane  is the champion that Cersei has chosen, (A.K.A killing machine and The Hound’s brother.)

Meanwhile, somewhere not so close to King’s Landing, Arya and the Hound pass an old man on the road who is dying from a stomach wound. He goes on and on and says a lot of things that aren’t particularly important. Arya says that “nothing is just nothing,” the Hound puts him out of his misery and teaches Arya where the heart is all in one stroke of his knife.

The next time we see them, the Hound and Arya get attacked by those trying to get the price put on the Hound’s head. Arya remembers one of the attackers as someone who has insulted her but she doesn’t know his name. The Hound asks the guy his name, he gets on Arya’s list, she stabs him in the heart. The scene ends with the Hound saying, “you’re learning.”

It’s an amusing scene, and fitting of Arya’s character, but should I be worried that I find such scenes somewhat amusing?

Later on in the episode, we see that the Hound is hurt by their attackers. He asks Arya about the sword she got from her brother, then he tells Arya the story of what his brother gave him. The scar on his face. Touched by the story, Arya offers to help clean his wound and stitch it up.

On Dragonstone, Melisandre convinces Lady Selyse to bring her daughter Shireen with them on the long journey. I’m guessing to King’s Landing? Melisandre claims it’s because the lord of light will need her. More blood sacrifices, perhaps?

Meanwhile, in Jon Snow’s world, Alliser Thorne is continuing to give him trouble; insisting he lock up Ghost, won’t listen to Jon’s suggestions about fortifying the wall and overall just being a regular pain in the ass. Here’s hoping he gets what’s coming to him soon…something that will probably happen because he doesn’t listen. Personally, I think Thorne is such an ass because Jon has the ability to lead, his friends are also loyal to him and Thorne is threatened by it.

In Meereen, Dany has her own version of trouble. Daario claims that he is only good at two things: women and killing men. She makes good use of one of those things. She tells Daario to strip. Something I thought that was a little out of character for Dany, but as she is growing into her role, I could see why she would make use of what she has…but it seemed odd. This is no longer the frightened little sister of Viserys that we saw in season one of this series.

While it is obvious that Daario desires her, there is no softness in Dany’s expression. She is still Queen. Ser Jorah doesn’t approve, of course. However, Dany does listen to him when he advises her not to kill all the slavers in Yunkai, where she sent Daario and the second sons to reclaim the city. She changes her mind and says that they will have a choice to follow the rules in her world, or die.

We also see a bit of Pod and Brienne in this episode. While not main characters, I love these two as there never seems to be anything bad in them. While stopping at an Inn to catch a decent meal, they meet Hot Pie who tells them that Arya is still alive, and that she was traveling with the Hound. Pod deducts that they would be heading towards the Eyrie, where the girl’s aunt lives. Sansa might be there too.

Meanwhile in the Eyrie, Robin…annoying, spoiled, stupid, whiny Robin, destroys Sansa’s snow Winterfell and throws a tantrum. Sansa slaps him and then immediately regrets it. Lord Baelish sees and says that it’s what his mother should have done a long time ago. (He makes a good point, you know.)

Sansa questions Lord Baelish about why he killed Joffrey and he confesses it is because he loved her mother, and says in a different world she could have been his daughter. Then he kisses Sansa. She pushes him away, but aunt Lysa sees.

Threatened by Sansa and jealous, and a trifle crazy, Lysa holds Sansa over the moon door and threatens her. Lord Baelish manages to calm her down, and then reveals to her: “there is only one woman I love,” he says,”and that was your sister.” He then pushes Lysa through the Moon Door and the episode ends.

-I thought this a great ending, as I was never a great fan of Lysa. What will happen next you think? Thought’s below if you got ’em!

 

 

 

 

Don’t Wake Up the Sleep-walker!

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sunset at Pine cradle lake, PA

I’ve been working on a story/writing for the better part of 2 hours, mostly because I am bored and mostly because I am procrastinating doing laundry – but the reason I decided to post was this: I just realized something.

There is a big difference between writing a story, and immersing yourself in that story. Sometimes you write on the page, but you never become involved. There’s a difference between staying in the present world that you are writing, and emerging into that world, where the sights, scents and conversation is what is around you – not the hum of the fan next to your computer screen, or the traffic outside, or the typing of your hands wandering across your keyboard.

Immerse yourself into that world fellow writers. Become one with the scents, the sounds, the people. It is jarring to come back from such a world sometimes, but if this is what needs to be done, then, hey, I’m all for it.

Now, what was I doing again?

Ah, being a writer really is a lonely thing sometimes. Only we see the world that we are writing and it is sometimes hard to explain to others why they can’t interrupt that thought process.

I compare it to waking up a sleep-walker. Don’t wake up the sleep-walker! It’s all disorienting and confusing. That’s why I always tell my boyfriend: don’t interrupt me when I’m in the middle of writing, its like waking me up from a deep sleep, yanking me away from a world prematurely. (And believe me he’s done it a couple of times, grumble, grumble).

Let the writer wake up in her own time. Ah, but anyway I digress.

Become one with the story…don’t be afraid to dive in! That’s all.

Happy Writing!  And to those that are experiencing warmer weather (finally): Big Smiles! Summer is finally here!

 

Game of Thrones Review episode 6: The Laws of God and Men

This review is based purely on what I have seen on the TV Shows, also…

Spoilers ahead!

Photo source: HBO

Review of episode 6: The Laws of God and Men –

No Starks in this episode. Arya, Sansa, Bran or Jon Snow’s stories were nowhere to be found.

However, we do get to see a great deal of Theon Greyjoy…or what’s left of him. Theon’s sister, Yara, arrives with her ship of men only to discover that the brother she thought she was rescuing is no longer there. Ramsay Snow has completely broken him.

Meanwhile, Daenerys is learning what it means to rule and how time-consuming it is. She meets with subjects in Meereen and deals with the problems in turn. One in particular: her dragons ate someone’s goats. Whoops. She also confronts a man, whose father she crucified. The son now claims that his father was against slavery, and asks permission to bury him according to his customs. Daenerys concedes to the burial, but seems shaken by the confrontation. Perhaps ruling is not what it is cracked up to be?

And on another front, Lord Stannis is denied a loan by the Iron Bank, that is until Davos pleads his case to the committee that he is the real and rightful King.

Varys is confronted by Prince Oberyn in the throne room, and the Prince guesses correctly where Varys is from. It’s the first time I have ever really seen the spider on edge. Varys claims that he was never interested in men or women and says that without desire he is able to focus on more important things. He then looks meaningfully at the Iron Throne after saying this.

Lord Tyrion’s trial begins and we quickly see that the trial is a farce, as does Jaime. Jaime makes an arrangement with his father, Tywin, to pardon Tyrion and let him take the black, as long as Tyrion pleads guilty and has no more outbursts. In return, Jaime will take his place as heir at Casterly Rock.

Tyrion, of course, does not remain silent, as Shae is called to testify against him. She says that Tyrion killed Joffrey with poison to help his new wife, Sansa, get revenge against her slain relatives. I’m just going to come out and say it: Hell hath no fury like a woman scorned.

The episode ends with Tyrion demanding a trial by combat.

My thoughts:

I’ve always liked Shae and could not believe that she would go to such measures to get back at Tyrion. Was she blackmailed? It doesn’t seem like it.

I hate what’s being done to Greyjoy, it’s just awful to watch.

Anything with Daenerys is fun – it’s always great to watch a woman kick ass, and she does it a lot. Compared to Daenerys, it makes me wonder why Stannis wastes his time? He’s never going to win. Stannis’ storyline just seems like a big waste to me.

Also, Prince Oberyn is supposed to be the enemy, but I am finding myself liking his character more and more.

Nothing much else to say about this week’s episode, only that I can’t wait for the next one. I’m a great fan of the Stark sisters, so looking forward to seeing them next Sunday!

What did you think of last night’s episode? Thoughts below if you got ’em!

 

 

 

 

 

What Game of Thrones can teach creative writers about hidden context

Source: HBO;  Margaery and Cersei walk together.

We saw it a few nights ago in the latest episode of Game of Thrones, in First of His Name. Margaery and Cersei are standing side by side, both staring out at the new King Tommen talking about King Joffrey, about the new king, about whether or not Margaery still wants to be queen. Talking about everything else than what is truly on their minds.

Game of Thrones, or more specifically, Game of Throne’s characters, presents a fine example of the importance of hidden context for creative writers.

In context:  Margaery and Cersei are having a conversation, they are talking about the troubles on hand: a recent death, a new queen and what they should do now. Margaery, is polite, beguiling, charming. She knows how to twist words to her favor, to ask a question, yet answer it in the same sentence. Meanwhile, Cersei’s words are clipped, sometimes barbed. The things she says are meant to shock, to entice some reaction from the person next to her, to try to make the person she is having a conversation with, uncomfortable.

Out of context: The tension between the two. The fact that they aren’t looking at each other. The pauses between words. The politeness. Margaery wants the throne and is doing what she can to get it. Cersei doesn’t like Margaery, but knows she must play nice and make small talk, or in Cersei’s case, idle threats. Keep your friends close, but your enemies closer.

While the two, strong, beautiful women are making conversation, most of what goes on between them is what they don’t say. The glances, the gestures, the false smiles. Cersei says it best with a glance, a frown, or a twitch of her eye.

And all the while, there is tension.

You hear it time and time again, from a lot of creative writers, or teachers of the craft. There must be tension. Without tension of some kind there is no story, no problem or obstacle to overcome.

If two characters are having a conversation, and everything is happy, perfect, agreeable, there is no reason for the conversation and as such, there is no story.

That’s why it is so important to create great detail in your stories. Sensory details. Describe the scene and character and conversation in detail.

With detail you will create the tension, and in that tension is what isn’t being said – the hidden context. Which is sometimes the most important thing of all.

What are your favorite stories or TV Shows? Who are your favorite characters in them? And what does it teach you about writing or story telling?

Thoughts below if you’ve got ’em!

 

 

Game of Thrones TV Show Review: First of His Name, or Last?

I have not read the book series, so my review of this show is based purely on what I have seen in each episode.

Also, Spoilers ahead.

Source: HBO

Season 4, Episode 5: First of His Name Review –

Westeros has a new King. Margaery continues to remain in King Tommen’s good graces, and Cersei admits to knowing that Joffrey was a monster, and makes friends with Prince Oberyn. She asks him to send a gift to her daughter; she misses her, which is understandable.

Arya continues to name names on her ever-growing list of soon to be dead people, and the Hound remains entertaining as always and still manages to challenge the feisty Arya at every turn.

Meanwhile, Sansa arrives at The Eyrie with Lord Baelish, who marries her aunt Lysa. We learn that it wasn’t Cersei and Jaime who murdered John Aryn, but his own wife! As requested by Lord Baelish, so they could be together. While the new Mrs. Baelish is aching to see her new husband to bed, I can’t help but wonder if this is just Lord Baelish’s plan to seize the Eyrie. He’s always wanted a Kingdom to rule on his own.

On another front, Lady Brienne and Podrick travel to find Sansa, and it turns out that Podrick wasn’t trained to do much, except pour wine for Lord Tyrion. Ah, no matter, he’s still loyal and sweet.

Jon Snow and Company finally arrive at Craster’s place, and the traitors are dealt with. Craster’s daughters tell Jon Snow to burn the house and the bodies to the ground, they will find their own way.

And we didn’t get the reunion between Jon Snow and his brother, Bran, as Bran is encouraged by his friends to leave before Jon can talk him out of his quest to head North to the Three-Eyed Raven.

Meanwhile, across the sea, Daenerys decides not to just be a Mother of Dragons and a Targaryen, she will be a Queen.

No attack on Westeros yet by Daenerys, but soon…I hope? And how much did you want to see the reunion between Jon and his brother? I know I did! Urgh.

A solid episode, I thought, but it seems like the more story lines we have for each episode, the longer it takes for the story to progress. It is both entertaining and frustrating as we have to wait for each character’s story in turn. The next episode, however, will be entertaining as we have Tyrion’s trial to look forward too!

I’d like to know what you think…Thoughts below if you got ’em!