What Game of Thrones can teach creative writers about hidden context

Source: HBO;  Margaery and Cersei walk together.

We saw it a few nights ago in the latest episode of Game of Thrones, in First of His Name. Margaery and Cersei are standing side by side, both staring out at the new King Tommen talking about King Joffrey, about the new king, about whether or not Margaery still wants to be queen. Talking about everything else than what is truly on their minds.

Game of Thrones, or more specifically, Game of Throne’s characters, presents a fine example of the importance of hidden context for creative writers.

In context:  Margaery and Cersei are having a conversation, they are talking about the troubles on hand: a recent death, a new queen and what they should do now. Margaery, is polite, beguiling, charming. She knows how to twist words to her favor, to ask a question, yet answer it in the same sentence. Meanwhile, Cersei’s words are clipped, sometimes barbed. The things she says are meant to shock, to entice some reaction from the person next to her, to try to make the person she is having a conversation with, uncomfortable.

Out of context: The tension between the two. The fact that they aren’t looking at each other. The pauses between words. The politeness. Margaery wants the throne and is doing what she can to get it. Cersei doesn’t like Margaery, but knows she must play nice and make small talk, or in Cersei’s case, idle threats. Keep your friends close, but your enemies closer.

While the two, strong, beautiful women are making conversation, most of what goes on between them is what they don’t say. The glances, the gestures, the false smiles. Cersei says it best with a glance, a frown, or a twitch of her eye.

And all the while, there is tension.

You hear it time and time again, from a lot of creative writers, or teachers of the craft. There must be tension. Without tension of some kind there is no story, no problem or obstacle to overcome.

If two characters are having a conversation, and everything is happy, perfect, agreeable, there is no reason for the conversation and as such, there is no story.

That’s why it is so important to create great detail in your stories. Sensory details. Describe the scene and character and conversation in detail.

With detail you will create the tension, and in that tension is what isn’t being said – the hidden context. Which is sometimes the most important thing of all.

What are your favorite stories or TV Shows? Who are your favorite characters in them? And what does it teach you about writing or story telling?

Thoughts below if you’ve got ’em!

 

 

Game of Thrones TV Show Review: First of His Name, or Last?

I have not read the book series, so my review of this show is based purely on what I have seen in each episode.

Also, Spoilers ahead.

Source: HBO

Season 4, Episode 5: First of His Name Review –

Westeros has a new King. Margaery continues to remain in King Tommen’s good graces, and Cersei admits to knowing that Joffrey was a monster, and makes friends with Prince Oberyn. She asks him to send a gift to her daughter; she misses her, which is understandable.

Arya continues to name names on her ever-growing list of soon to be dead people, and the Hound remains entertaining as always and still manages to challenge the feisty Arya at every turn.

Meanwhile, Sansa arrives at The Eyrie with Lord Baelish, who marries her aunt Lysa. We learn that it wasn’t Cersei and Jaime who murdered John Aryn, but his own wife! As requested by Lord Baelish, so they could be together. While the new Mrs. Baelish is aching to see her new husband to bed, I can’t help but wonder if this is just Lord Baelish’s plan to seize the Eyrie. He’s always wanted a Kingdom to rule on his own.

On another front, Lady Brienne and Podrick travel to find Sansa, and it turns out that Podrick wasn’t trained to do much, except pour wine for Lord Tyrion. Ah, no matter, he’s still loyal and sweet.

Jon Snow and Company finally arrive at Craster’s place, and the traitors are dealt with. Craster’s daughters tell Jon Snow to burn the house and the bodies to the ground, they will find their own way.

And we didn’t get the reunion between Jon Snow and his brother, Bran, as Bran is encouraged by his friends to leave before Jon can talk him out of his quest to head North to the Three-Eyed Raven.

Meanwhile, across the sea, Daenerys decides not to just be a Mother of Dragons and a Targaryen, she will be a Queen.

No attack on Westeros yet by Daenerys, but soon…I hope? And how much did you want to see the reunion between Jon and his brother? I know I did! Urgh.

A solid episode, I thought, but it seems like the more story lines we have for each episode, the longer it takes for the story to progress. It is both entertaining and frustrating as we have to wait for each character’s story in turn. The next episode, however, will be entertaining as we have Tyrion’s trial to look forward too!

I’d like to know what you think…Thoughts below if you got ’em!