Game of Thrones Season 5, Episode 1 Review: The Wars to Come

Warning, full spoilers ahead…

Credit: Fox

Credit: HBO

Game of Thrones’ first episode of season five – wow! Basically, it’s all just one big major catch-up, although there are a few important plot points that are worthy of mentioning. It was intense, yet not a lot happened at the same time. But Game of Thrones usually starts out slow and then builds as the season goes on.

The first scene opens up with Cersei’s story, and a flashback to her childhood where she visits a witch, who predicts her future. In short: Cersei faces some challenges this season. Her father is dead, her brother/lover, Jamie and her are at odds and her powerful position as Queen is being threatened by Margaery Tyrell. Something has to happen in order for her to keep that power. But it looks like Cersei has no desire to be the victim. Meanwhile, we see a scene between Margaery and her brother, the knight of flowers, (naked lover aside), which hints that Margaery doesn’t really intend to go down without a fight, and if she can avoid being the daughter-in-law of Cersei…well, things might just get ugly.

Credit: Fox

Credit: HBO

Tyrion arrives in Pentos with Varys at Illyrio’s palace, (the place where we see Dany and her brother in the very first season.) Tyrion has this great plan to drink himself to death, but Varys reveals that he didn’t save him for that purpose. It is apparent that Varys believes that peace in the realm can come from a Targaryen at the helm and he tells Tyrion of his plans to travel to Meereen and meet Dany.

Credit: Fox

Credit: HBO

In Meereen, Dany and Daario are still lovers, one of the unsullied gets killed while visiting a brothel, and Dany admits that she cannot control her dragons. She also has difficulties settling problems as the Queen, and exchanges some pillow talk with Daario while they drink wine together in bed.

At the wall, Jon Snow trains the young boy who killed Ygritte, (he seems to go a bit hard on him, too, coincidence? I think not). We see a little bit of Sam and Gilly; Gilly is once again worried about being sent away. Stannis Baratheon asks Lord Snow to speak with Mance Rayder about convincing the Wildings to fight for him, in return for pardon and a home on the other side of the wall. Jon knows that Mance won’t bend the knee, but he tries to convince him anyway. He doesn’t and Stannis and the red woman put Mance to death by fire. Jon Snow can’t stand to see a man he respects die in such a gruesome way, and he shoots him with an arrow, so he doesn’t have to suffer the pain and humiliation. As such, the episode ends with Jon Snow incidentally becoming one of the most powerful crows at the wall.

Credit: HBO

Credit: HBO

Other stories that we saw last night: a little bit of Sansa; she is continuing to watch and learn at the side of Petyr Baelish, and we see that Brienne of Tarth seems to have given up her search for the two Stark girls. And poor Pod, her almost squire, has nowhere to go.

Credit: HBO

Credit: HBO

What to look forward in next week’s episode: Arya! Bran is completely absent from this season, of course, but it is interesting to see the remaining Stark’s stories. I’m very curious to see what happens with Jon Snow, and Sansa, especially now that Sansa has finally learned to play the game with everyone else.

Will there really be a meeting between Tyrion and Dany? Worlds are colliding and we love it! There is a big shift of power now that Lord Tywin is gone. Who’s going to be the next big player in this Game of Thrones? Here’s a sneak peek of next week’s episode:

What Game of Thrones can teach creative writers about hidden context

Source: HBO;  Margaery and Cersei walk together.

We saw it a few nights ago in the latest episode of Game of Thrones, in First of His Name. Margaery and Cersei are standing side by side, both staring out at the new King Tommen talking about King Joffrey, about the new king, about whether or not Margaery still wants to be queen. Talking about everything else than what is truly on their minds.

Game of Thrones, or more specifically, Game of Throne’s characters, presents a fine example of the importance of hidden context for creative writers.

In context:  Margaery and Cersei are having a conversation, they are talking about the troubles on hand: a recent death, a new queen and what they should do now. Margaery, is polite, beguiling, charming. She knows how to twist words to her favor, to ask a question, yet answer it in the same sentence. Meanwhile, Cersei’s words are clipped, sometimes barbed. The things she says are meant to shock, to entice some reaction from the person next to her, to try to make the person she is having a conversation with, uncomfortable.

Out of context: The tension between the two. The fact that they aren’t looking at each other. The pauses between words. The politeness. Margaery wants the throne and is doing what she can to get it. Cersei doesn’t like Margaery, but knows she must play nice and make small talk, or in Cersei’s case, idle threats. Keep your friends close, but your enemies closer.

While the two, strong, beautiful women are making conversation, most of what goes on between them is what they don’t say. The glances, the gestures, the false smiles. Cersei says it best with a glance, a frown, or a twitch of her eye.

And all the while, there is tension.

You hear it time and time again, from a lot of creative writers, or teachers of the craft. There must be tension. Without tension of some kind there is no story, no problem or obstacle to overcome.

If two characters are having a conversation, and everything is happy, perfect, agreeable, there is no reason for the conversation and as such, there is no story.

That’s why it is so important to create great detail in your stories. Sensory details. Describe the scene and character and conversation in detail.

With detail you will create the tension, and in that tension is what isn’t being said – the hidden context. Which is sometimes the most important thing of all.

What are your favorite stories or TV Shows? Who are your favorite characters in them? And what does it teach you about writing or story telling?

Thoughts below if you’ve got ’em!